Review of Stargun Messenger by Darby Harn

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Any review of Stargun messenger has to start with the prose. Darby Harn is an artist with words. A poet. The language of this novel soars and swirls like oil on canvas, painting pictures and dreaming dreams that go far beyond the simple black and white of words on page. I envy this facility with language. I encourage everyone to take a look at this book just to experience wild flights of writing as an art form.

It’s greatest strength is also is greatest weakness. Stargun Messenger never pauses to explain. Before too long, I stopped actually understanding what was happening. Beauty, loss, love, fear… I experienced emotions guided by the author’s amazing ability to draw feelings out of the reader by an elegant turn of phrase or a word in a never-before-imagined context. But I didn’t understand what was going on.

The plot begins with a superb space opera setup. Our Heroine, Astra Idari, is a Stargun, a garden variety gun for hire who gets a lot of her work from an outfit called the Scath. The Scath have a monopoly on the fuel that makes faster than light travel possible, filamentium. Whenever someone steals it, the Scath pay Idari, or someone like her, to recover it. On just another mission to recover just one more batch of stolen filamentium, Idari, makes a horrifying discovery. Creatures of myth and legend, living stars known as Lumenor, are real. They exist. Idari meets one called Emera.

And the precious filamentium is nothing less than their blood.

The Scath suck the blood of living stars for starship fuel they can monopolize and profit on. And with that, the heroic quest is on.

If you want to enjoy Stargun Messenger, you must leave behind questions like “how does it work” and let the author guide you through an epic poem. Love is beautiful. Resistance to evil, even at the risk of everything, is glorious. Becoming who you were always meant to be is a fountain of joy.

At some point, though, a reader wants to be able to process what’s going on. The reader — this one, at least — hits a stage in this novel where one just wants Idari and Emera to “walk down a hall,” instead of waft on flights of hope until journey and destination merge elegant into singularity.

The Black Moment (Every romance must have a Black Moment, and this is assuredly a romance between Idari and Emera) loses it’s power because I don’t have a genuine understanding of what happened, only that the pain was abyssal anguish.

Judged by the beauty of its language alone, this could be the best book I’ve read in this contest. But in the end, beautiful language alone does not make a book. You must tell a story. Harn definitely did this, but I don’t really know what happened in it. The only thing I can say for sure is how it felt.

The book also has a political message. My review isn’t about that, only about the beauty of the prose and the entertainment experience of the book.

Grab your copy here, and I do believe you should grab one, just to experience such painterly expression with words.

 

Review of Tasmanian Gothic by Mikhaeyla Kopievsky

This powerful book overflows with suspense so thoroughly that I spent most of the read looking away for a while until I had the courage to go on. It’s a richly detailed world filled with believable characters and tragedies.

Yes, tragedies. The book is called “Gothic” for a reason. The characters, particularly the main character, endure brutal pain almost nonstop from the beginning of the book. Almost everything works out hard for the MC.

Our story begins with the MC living in a world divided between two warring drug lords. She cooks product for one and is hated by the other. Her drug-addicted and abusive ex comes looking for a fix, she has to call an enforcer from her “side” in the war to help, and this kicks off a series of horrors that pursue her until the very end.

Drug gangs, mutants, and a stark divide between rich and poor place this firmly into the camp of dystopia.

I enjoyed the light touch on the romance element. It’s there, but definitely not overwrought.

I wouldn’t normally choose this book. The violence inflicted on and by the MC is too graphically described for me. However, to paraphrase the immortal J. Evans Pritchard, the subject of the book is serious, and the objective has been artfully rendered. For readers who do like grimdark, this book is for you.

Buy your copy here:

Review of The Widow Spy by Martha Peterson

All of my book reviews contain Amazon affiliate links. That means if you make a purchase after clicking one of them, I may earn a small commission.

Like spy stories? Like Espionage? This book is the real thing. A non-fiction account of being a CIA Case Officer in Moscow at the height of the Cold War. Learn about dead drops, car tosses, avoiding surveillance, and more in this real first hand account of an American captured by the KGB in Moscow. I loved this book.

The author, Martha Peterson, was one of the first female Case Officers in the Central Intelligence Agency, stationed in Moscow during the Cold War. She helped run one of the most successful agents of the day until she was captured by the KGB.

The style is very straightforward, just a simple accounting of the facts. It’s easy to imagine, while reading it, that this is how the CIA teaches its officers to file reports.

If you have any interest at all in intelligence or the Cold War, I highly recommend The Widow Spy. Get yours here.

Do you like science fiction and space opera? Try my Exile War series! The first book, Onslaught, is free on all U.S. retailers, and only 99 cents if there’s anywhere it isn’t free. Prefer mysteries and thrillers? Check out my Sherman Iron Mysteries. The first book, Irons in the Fire, is free on all U.S. retailers and only 99 cents where it isn’t free.

Deepest Cut Excerpt

Enjoy this free sample of my upcoming historical thriller The Deepest Cut

Prologue

It’s 1982.

The U. S. And the Soviet Union prosecute a silent struggle for ideological supremacy between Capitalism and Communism. To keep the horror of all out thermonuclear war at bay, the combatants do their dirtiest deeds under cover of darkness, with full deniability. Rather than soldiers and armies, the battles are fought by spies and special forces in clashes than never see the light of a newspaper article.

They call it the Cold War, but in trouble spots around the world it flares dangerously hot.

Chapter One

Marco Villarta was dead. Murdered. And Clara’s pistol had been used to kill him.

She stood wrapped in darkness on a street in Panama City’s Terraplén district. Every passing second upped the danger of being caught. At three-thirty in the morning, revelers coming home late from the clubs or workers whose shift started early could pass her at any moment, and the longer she stood there looking at Marco’s body, the greater the risk.

Even so, Clara Verona wasted precious seconds staring. Marco was dead. Her mission had probably died with him.

Night wrapped her in anonymity for now, but not for long. When the sun rose, it would reveal a woman with blonde hair in a ponytail, brown eyes, skin that tanned easily here in the tropics, and the lean physical fitness of someone who used her muscles for a living. Long ago, the Verona family earned their money on a fishing boat, and Clara had grown up helping her father with it.

Around her, the rain tapered off, leaving only sprinkles. The streets mumbled and groaned as they woke up. Her jeans and loose blouse felt damp against her skin; her hair clung to her scalp.

The warbling tone of sirens sounded in the distance, a sign that the time for staring was over. Clara scooped up the 9mm Makarov pistol lying beside her dead contact. It was the standard-issue sidearm of the Soviet military. She’d been issued it when she’d been given this assignment. Discovering it missing from her room was what had brought her out here tonight. She’d found her pistol, and found far worse besides.

The gun was obviously intended to be discovered with the dead body. No sense letting her enemies’ scheme go as planned, whoever the enemies were, so she recovered it. Clara flicked the safety on, then shoved the weapon mostly inside the pocket of her jeans.

Something had gone wrong—badly wrong. A simple assignment to infiltrate the Communist Revolutionary Front had just turned deadly, and Clara suspected she was going to need that pistol. Whoever had killed Marco couldn’t possibly have any good intentions toward her, or toward her mission.

In Terraplén the buzz of people grew as dawn drew inexorably nearer. Poverty was the norm here, and the foot traffic consisted largely of service industry workers coming home after the bars closed. Dock workers and laborers made up the rest. Ramshackle two-story buildings bordered tiny, cramped streets. Only a short distance from her location, unfortunately, sat the headquarters of the Guardia Nacionale, or National Guard, Panama’s combined military and police.

Which, of course, meant they were quick to respond to the scene of the murders. A police car pulled into the narrow street behind her, visible only because of its flashing sirens, cutting off one of the two choices of escape routes. A voice shouted “Usted queda detenida!” at her.

That was the Spanish version of “You’re under arrest,” but Clara paid it no mind. She took off sprinting like a bolt of lightning.

She rounded the corner in front of her just before a second police car could cut it off. She immediately took another turn and cornered again, but the sound of racing footsteps behind her would not go away. Sirens wailed all around her. Shouts of “Detenida!” echoed off the buildings.

Clara had been very well trained in police procedure, and she knew that the police would swamp the streets with officers until they caught the suspect. It was a standard practice worldwide.

Her training also included the fact that the National Guard of Panama, awash in a culture of corruption that sank down from the top, had far different ideas of due process than cops in America. Getting caught was not an option, so she ran faster. But the footfalls behind her got louder, accompanied by more shouts of “Usted queda detenida!”

She whipped around a corner. In the fraction of a second she was out of view of the cops, instead of sprinting on, she pressed her back to the wall of the building and waited. She drew her pistol back out of her pocket. Seconds later a green-uniformed officer rounded the edge of the structure looking for her, gun in hand.

He failed to check his six, and that was all the advantage Clara needed.  She put the Makarov to his temple.

He froze without her having to say anything, and the moonlight offered her a picture of her victim. Dark hair, dark eyes. Tall. Muscular. And men just looked good in uniforms, it was a fact of life. If she had met him in a bar back home, she might have let him buy her a drink.

But they were not in a bar, and they were not back home.

She said, “Call them off or die.”

Any American who heard her speak would have said the words came out in perfect Spanish. Of course, the cop was not American; Clara had no doubt that he could identify her Cuban accent. In a way that worked in her favor.

“There are a dozen of us chasing you,” he growled back. “You can’t kill us all, that gun doesn’t have enough bullets. Reinforcements will be here any second.”

“Not if you call them off. Your radio. Use it. Move slowly, so I don’t do anything to ruin this little moment we’re having here.”

Just because they weren’t in a bar back home didn’t mean she couldn’t have a little entertainment, after all.

In reality, though, Clara sincerely hoped she didn’t have to shoot this man. The situation was bad already. Killing a law enforcement officer would make it far worse.

Sadly, the cop seemed to know that too. “Go ahead. Shoot me. The gunshot will just draw the others faster.”

If you’ve got a gun, pull the trigger.

Her old instructor’s words whispered in her memory, but Clara decided not to follow his advice. Not this time.

Rendering a human being unconscious is far harder than most people think. Not long ago, a very good instructor taught her how to do this, but then advised her never to try it. To be done successfully, the key is to impart a sudden motion to the skull that causes the brain to jostle back and forth inside it.

She said, “If we meet again, try to remember that I didn’t kill you when I could have.”

Then Clara shifted her pistol to her left hand, whipped it out of the way and drove her right fist with maximum possible force into the man’s temple, just as they taught her at the Farm. The cop crumpled to the ground. She dashed away into the night.

Review of Red Darkling by L. A. Guettler

As I understand the definition, a character driven story by is one in which the main character’s fundamental traits create the plot. Who she is determines what she does and what happens to her. If that definition is anything close to real, then Red Darkling is as character driven as character driven gets.

This picture is actually NOT NSFW

The titular character is a lovable screwup. She lives from paycheck to paycheck and, as soon as she gets that paycheck, blows it on booze and cigars. Almost the entire plot consists of tight scrapes that only happened because Red did something shortsighted. Her unerring ability to make the worst possible decision keeps landing her in hotter and hotter water until she finds herself in the hottest water of all.

It’s well-written, and the author has obviously put onto the page exactly, precisely the character she intended.

It slows down in the middle, and changes pace from action to basically action free, which reduced my enjoyment a little bit.

Sex is talked about a lot but not depicted. Some gruesome violence is hinted at but not depicted.

Get your copy by clicking here.

Review of Thrill Switch

This book is extremely well-written, suspenseful and entertaining. I couldn’t stop turning pages. I really enjoyed the read.

It also came to the #SPSFC3 with a content warning that was basically a laundry list of the worst ills plaguing modern society. Rape, torture, sex, foul language, child endangerment — you name it, it’s in here.

This is going to be a book that I score differently for the contest than I would anywhere else. For SPSFC, I will score it high. The writing skill displayed here is very very good. Rising action, plot structure, obstacles for the MC to overcome… the author is obviously good at his craft, and I don’t think the book should suffer just because it happened to come across a squeamish judge.

That said, I wouldn’t really recommend this to my own newsletter subscribers. Generally speaking, people are repeat customers of my books precisely because they want an entertainment option where they don’t have to read explicit sex, profanity, and graphic torture scenes.

I’ll also add, this is how a political book should be done. The book has something to say about an issue in modern-day American politics, but it addresses it without sermonizing, without forcing characters to say something they wouldn’t, just to deliver the author’s favorite message. For a reader who’s not hyper-attuned to these things, it might even be possible not to be aware that there’s a value statement going on here. I’m pretty sure I disagree with the author’s politics, but it’s refreshing to see someone write about issues and values without descending into blatant speechmaking from one of his helpless character’s mouths.

If you have the stomach for a graphic serial killer/terrorist story, buy Thrill Switch here.

Review of The Curse of Sotkari Ta

The first novel in Maria Perez’s space opera series really lives up to its billing as a steamy romance. Our heroine Mina is kidnapped from Earth because, unbeknownst to her, she has alien DNA that gives her telekinetic abilities. Taken to a faraway galaxy and trained against her will for war, Mina discovers that part of this alien DNA she never asked for is a powerful attraction to anyone else who has the genes. The end result is a soap opera tangle of men who cannot resist Mina’s charms, set against the backdrop of a rebellion against the evil Lostai empire.

I’m not usually a reader of the steamier end of the romance spectrum, and this got a bit wordy and slow at times. But I enjoyed the elaborate world building and the galactic war elements, and things got really suspenseful at the end. Readers of romance, especially those who like the racier side of the genre, should hurry up and get your copy of The Curse of Sotkari Ta

Review of Through Stranger Eyes

I just finished Through Stranger Eyes by Chris Sarantopoulos, and wow, I recommend you check it out here.

There’s so much to say about this book. It starts with a great mystery, moves through revelations that keep getting more and more powerful, creates potent suspense, has an empathetic main character, and a couple good side characters.

Pros:

The MC’s rejection by his hospital and his wife really made me feel for him. I kept turning pages hoping things got better. 

Solpeau and Sherry are both well-characterized. 

The ending is practically guaranteed to take you by surprise. 

Cons:

The conflict between the different “matriarchs” was hard to keep track of, as were the various groups of non-matriarch people Rick encounters on his journey.

The book is marred by editing errors and by some structural flaws.

A gruesome scene in the middle.

Overall I really enjoyed reading Through Stranger Eyes. Be warned about a bit of horrifying content in the middle, but otherwise, grab your copy here.

Review of The Sequence by Lucien Telford

The true power of The Sequence lies in the middle of the book. Between 20% and 65% I simply could not put it down. What has Kit discovered? Who is trying to acquire her discovery, and killing all these people to do it? I came to care about the characters — so much so that the author succeeded in creating powerful conflicting emotions in me about one of them. I can’t remember the last time a book gave me feelings this strongly. I cared about these people and this story.

I did not experience the ending in the same way I did the middle. Characters and tech crucial to the ending are only hinted at, or not introduced at all until the last act.

The Sequence presents a fascinating world, probably 100-ish years into the future. There are three protagonists/antagonists, who work both for and against each other in fascinating ways. One is a detective with the Hong Kong Police named Johnny Woo, a genuinely good character who I liked and wanted to see succeed. The second is a smuggler for the criminal underworld named Dallas, who does most of his smuggling at the helm of a stealth jet.

And then we have Kit McKee. Kit is a genetic engineer who has discovered something for which people are willing to kill, and kill in large numbers, and kill gruesomely. If you look in the dictionary under antihero, you will find Kit McKee.

Pros:

  • A compelling mystery, made more compelling by the horrifying revelations about genetic engineering uncovered by the Hong Kong police in the course of trying to solve it. The mystery pulled me in like a tractor beam.
  • A character who’s at the same time easy to relate to and easy to abhor. I rarely experience fascination and disgust in such equal measure for a fictional character.
  • A likable detective, very relatable. Every other character in this book is either evil or morally gray, but Johnny Woo is the bright, shining hero. I kept hoping for another Woo section of the book, so I could feel clean again.
  • A vividly imagined world, including a criminal underworld that feels terrifyingly real and a genetic engineering profession that I dearly wish was not as realistic as I think it probably is.

Cons:

  • Significant characters were barely hinted at, or not introduced at all, until the last quarter of the book.
  • Dallas’s connections make a lot of challenges fall too easily.
  • Moves very slow at the start.

My opinion: Very very strong writing, characterization and world building made weaker by the ending.

Before you read The Sequence, you should know that the means by which Kit and the other genetic engineers in this book advance their work are gruesome and horrifying. Many people may not have a strong enough stomach for it. I almost didn’t. Take that into account before you buy. Check it out at this link.

Review of Red Sky at Morning

Red Sky at Morning is a suspenseful, fun sci-fi thriller and I recommend that you read it. Grab your copy here.

I’m volunteering as a judge in the third annual Self Published Science Fiction Competition, and I read Red Sky at Morning as part of that contest. My review here does not reflect anything other than my own opinion, and may have no relation to whether the book advances in the contest.

Red Sky at Morning is a thriller set in a future where humans have colonized Mars. It starts with a man framed for a crime he didn’t commit and a jaded detective put on the case by mysterious forces. It races through one revelation after another, some of them truly surprising. The pulse-pounding conclusion had me tearing through the last third of the book unable to put it down.

It’s not perfect. Some of the challenges before the characters fall too easily. Some of them have mysterious proficiencies that are just too convenient. Overall, though, the suspense more than makes up for the flaws and I truly enjoyed this read.

Check out Red Sky at Morning at this link.